David Pullins (BA, Columbia University; MA, The Courtauld Institute of Art; PhD, Harvard University) is Associate Curator in the Department of European Paintings, where he is responsible for seventeenth- and eighteenth-century French, Italian and Spanish works of art. Previously an Assistant Curator at The Frick Collection, he has published in
The Burlington Magazine,
Journal of Art Historiography,
Master Drawings,
Oxford Art Journal,
Print Quarterly,
Zeitschrift für Kunstgeschichte, as well as exhibition catalogs and edited volumes, including
Renoir: Between Bohemia and Bourgeoisie: The Early Years (Kunstmuseum, Basel: 2011),
Histories of Ornament. From Global to Local, eds. Gülru Necipoğlu and Alina Payne (Princeton University Press: 2016) and
La Chine rêvée de François Boucher (RMN: 2019). His research has been supported by Sir John Soane’s Museum, Dumbarton Oaks, and the Center for Advanced Study in the Visual Arts (CASVA) at the National Gallery of Art and the Bibliotheca Hertziana, Rome.